Smash (TV Series 2012–2013) Download, Movie Review, and Live Streaming

I like it ,but McPhee ,though pleasant enough to look at ,an an adequate singer,doesn’t have the pipes for live theatre and has the stage presence of a potted plant. Hilty,who they positioned for the audience not to like,stole the show. But the real problem is they underestimated the stupidity of American audiences. They might have just as well done a show about classical pianists. The American audience has been dumbed down with reality TV ,and a dwindling PBS type presence ,as well as the republican party putting forth a distrust of anyone or anything that is smart ,or intellectual. This show could have succeeded on HBO or Showtime,a few sex scenes and a Sex in the City meets The Great White Way angle. They would have found their audience. But don’t compare this to Glee. It resonated because everyone has been in high school,even stupid people, and they use pop music. Few people have ever performed live to a paying audience. This show couldn’t draw on the sheer commonality that Glee can. In all,I’m sad to see it go. It could have been wonderful.

Smash (TV Series 2012–2013) Movie Data

Smash (TV Series 2012–2013) is Drama Musical Genres film which released in . Smash (TV Series 2012–2013) supported by Katharine McPhee, Debra Messing, and Jack Davenport. This movie has 44min duration and rating around 7.7 star from 14,911 movie experts. Not bad.

Smash (TV Series 2012–2013) Short Storyline


There is more drama behind the scenes than on stage, as the team prepares an ambitious Broadway musical on the life of Marilyn Monroe.

Actor Actress behind Smash (TV Series 2012–2013) Movie

STARS
Debra Messing,Jack Davenport,Katharine McPhee
Director: Theresa Rebeck
Writer: Debra Messing

Smash (TV Series 2012–2013) PLOT STORY

For a Broadway musical, the road to success is not easy. And winning the coveted Tony as Best Musical, which is the ultimate goal, is even more difficult. Such trials and tribulations are shown for a handful of shows, their creative teams and their performers. There is competition amongst the performers for roles, competition amongst the shows not only for box office but also limited investor dollars and that final Tony prize, and competition amongst those ultimately hired in the cast and crew for what they want to see happen in the show, both for the good of the show and their own personal benefit. And sometimes, personal life gets in the way of these professional goals. These problems not only happen for those new or working their ways up the ranks, such as performers Karen Cartwright and Ivy Lynn, and the writing team of Jimmy Collins and Kyle Bishop, but also seasoned veterans, such as the writing team of Tom Levitt and Julia Houston, womanizing director Derek Wills, and producer Eileen Rand.

A Broadway musical, based on the life of Marilyn Monroe, is being written by the successful songwriting duo of Tom and Julia. Julia recently began the process of adopting a child with her husband Frank of many years, but her focus is torn when she has the opportunity to write another Broadway hit. A rivalry soon forms for the lead role between a youthful, inexperienced Midwestern beauty Karen – who is trying to find fame in the big city against all odds – and stage veteran Ivy Lynn, who’s determined to leave the chorus line and finally get her big break. A tenacious producer Eileen discovers the “Marilyn” project and jumps on board with a brilliant director, Derek – whose talent is matched by his cunning and egocentric amorality.

There is more drama behind the scenes than on stage, as the team prepares an ambitious Broadway musical on the life of Marilyn Monroe.

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