Omkara (2006) Download, Movie Review, and Live Streaming

When someone makes an adaptation of one of the greatest Shakespearan tragedies, you have to stand up and take notice. And especially Vishal Bhardwaj, someone who had made Maqbool the toast of the festival circuit and on par with some of Kurosawa’s best work. Akira Kurosawa, one of the best directors the world has ever seen, has made quite a few Shakespearean stories brilliantly( See Throne of blood, Ran).Vishal Bhardwaj has again changed the setting to the underworld, this time in rural India…more precisely UP. Naseeruddin Shah plays a crooked MP ‘Bhaisaab’ who employs a local goon ‘Omkara’ (Ajay Devgan essaying the lead role) to do his evil deeds. Happy with Omkara’s work he gives him a ticket to contest in the Assembly. So now a successor to Omkara has to be chosen. There are two main choices, the foreign returned, guitar wielding suave Keshu firangi ( Vivek Oberoi) and the yellow toothed, son of the soil Langda Tyagi ( Saif Ali Khan). Ajay Devgan decides to choose Keshu firangi. Now this is where the real story begins. Langda tyagi obviously gets incensed and decides to get Keshu removed. He craftily builds up an imaginary affair between Dolly, Omkara’s soon to be wife ( Kareena Kapoor) and Keshu in Omkara’s mind. By the time Omkara realizes this it is too late. Tyagi’s wife Indu( Konkona Sen Sharma) unknowingly plays a pawn in her Husband’s Plans.The question is, how is Omkara??? Well it’s just Brilliant. After seeing Maqbool, i knew that i had seen one of the best Hindi movies ever made. This goes one better. There are some directors like Vishal Bhardwaj which are keeping the bollywood’s ( OK, the Indian film industry’s) flag flying high. He performs a Multitude of roles – Director, Scriptwriter, Dialogue writer, composer…phew, and he does them all to perfection. Of course it helps when you have people like gulzar assisting you. The stand out part- the direction. The film is very tautly made, its very engrossing. You wont realize that its already two and a half hrs when the movie ends. The script and the dialogues are also top notch. Of course if you have the bard’s one of the greatest tragedies as your basis, you cant go wrong. The dialogues are very rustic. Normally this movie’s audience would have been restricted to the multiplex going crowd. But by using Hindi as is spoken in UP, with all the profanities that creep up in normal day use, it will ensure that the theaters in the Hindi speaking northern belt will run to packed houses.The songs are quite good too. The title track is extremely good and so is ‘Bidi Jaliye le’. It will become the rage among the masses.Performance wise, Ajay Devgan excels again as Omkara delivering a brooding performance he is so adept at delivering. Kareena Kapoor disappoints as usual. Vivek Oberoi is efficient. Konkona Sen sharma is brilliant. She delivers the performance one has come to expect from her. Bipasha as the dancer Billo, had a role of an eye candy and she looks really hot. But the real show stealer is Saif ali Khan, who enacts with panache the Role of Iago( one of the greatest villains in English literature). He is mean, cruel, ingenuous and his performance is truly brilliant. He carries off a negative character quite well in Ek Hasina Thi, but here he excels himself.All in all a must see movie, and especially for people who like dark, intense, dramatic movies.

Omkara (2006) Movie Data

Omkara (2006) is Action Crime Drama Genres film which released in 2006. Omkara (2006) supported by Saif Ali Khan, Ajay Devgn, and Kareena Kapoor. This movie has 2h 35min duration and rating around 8.1 star from 14,226 movie experts. Not bad.

Omkara (2006) Short Storyline


A politically-minded enforcer’s misguided trust in his lieutenant leads him to suspect his wife of infidelity in this adaptation of Shakespeare’s ‘Othello’.

Actor Actress behind Omkara (2006) Movie

STARS
Ajay Devgn,Kareena Kapoor,Saif Ali Khan
Director: Vishal Bhardwaj
Writer: Vishal Bhardwaj

Omkara (2006) PLOT STORY

Advocate Raghunath Mishra has arranged the marriage of his daughter, Dolly, with Rajan, knowing fully well that Dolly loves Omkara Shukla. Before the marriage could take place, the groom’s party is attacked, they flee, and Dolly is reportedly abducted. Raghunath is able to trace Dolly to Omkara, a criminal and hit-man, a verbal confrontation ensues until Politician Bhaisaab telephonically intervenes, and a crestfallen Raghunath faces the reality that Dolly was not abducted but is here with Omkara by her own free will. He warns Omkara, and departs. Shortly thereafter, Bhaisaab is shot at and wounded, announces that Omkara should stand in the next election, and as a result, Omkara appoints one of his lieutenants’, Keshav Upadhyay in his place as the ‘Bahubali”. Omkara realizes that he may have blundered in having Keshav succeed him, as Keshav is unable to control his temper when under the influence of alcohol, which puts him in the bad books of Omkara. Then Omkara suspects that Keshav is having an affair with Dolly, as both had been fellow-collegians. With Omkara’s marriage with Dolly getting close, he asks his other lieutenant, Ishwar Tyagi, to obtain proof of Keshav’s affair with Dolly or face the consequences, as Omkara remembers Raghunath’s warning that when a daughter is not true to her father, she will never be true to anyone. Watch what happens when Ishwar produces proof shortly after the marriage, and the impact this has on Dolly, Omkara, Keshav, Ishwar, and Ishwar’s wife, Indu.

This tale finds Shakespeare’s “Othello” transplanted to gritty modern India. Omkara strong-arms the locals into following his boss, the politician Tiwari Bhaisaab. Eventually, Omi enters politics himself and appoints one of his lieutenants, Kesu, to fill his place. This entices the jealousy of Langda, and he hatches a revenge plot. Langda plants seeds of doubt in Omi’s mind, concerning the faithfulness of Omi’s new bride Dolly…

A politically-minded enforcer’s misguided trust in his lieutenant leads him to suspect his wife of infidelity in this adaptation of Shakespeare’s ‘Othello’.

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