first off, i’m white – straight up Wonder Bread. my experience with Hindi films and bollywood started on march 17th, 2006 when i met my husband – he’s Hindu (… well, duh, lol).up to now, my opinion of bollywood in general has been pretty much a couple of gems in a huge pile of… well, “not gems”, particularly when dealing with the old films. not much by way of dancing technique, even (sorry, don’t shoot me, just my white bread opinion) the vaunted hema malini, to me, does little more than jump around shaking her anatomy and flapping her arms about. a lot of the classic songs, i can’t tell one from the next because they’re all sung by lata mangeshkar. while she is a fantastic singer, i really wish songwriters would have taken the opportunity to showcase her voice instead of just having her do the same 6-note riff over and over. like i said, it’s only imo.what a fantastically terrific exception is Bhool Bhulaiyaa! it’s got all the best parts of the old Indian classic movies: lavish, luxurious sets and costumes; huge crowds that pop up out of nowhere for various odd and assorted reasons; extraneous music numbers (no particular reason why, but we’ll both just jump on a bicycle that popped up out of nowhere and weave madly through the countryside singing); great dance numbers featuring crowds of ppl that were nowhere to be seen before and probably won’t be seen in the rest of the film.special mention: the dance scene at the court of the evil king – i can’t tell you how many times i’ve watched that just so i could wallow in the purity of line and the sheer crispness and clarity of expression. that duo is surely a world-class dancing pair because they are SO precise and they positively reek of expertise. the term “dancing gods” keeps coming to mind.on the other hand, while it has all the wonderful OTT-ness of a classic bollywood film of the 50s and 60s, the music has been updated – the lyrics are typically incomprehensible romantic weirdness (“i am yours, only yours, you weave through my breath” – i mean, hunh!?) but the music is modern and fresh. the characters are also a wonderful blend of high camp, high drama, and modern minimalism. i really enjoyed the scene that’s reminiscent of a joke featuring a guy talking on his cell phone while a girl behind him keeps answering back thinking he’s talking to her. oh – except in BB, the guy’s not wearing anything and the girl is in the shower stall while he’s outside.what i really like is that the movie doesn’t actually EXPLAIN anything. oh, explanations are given on all sides but what’s really fantastic is how it doesn’t slight the old ways and put Modern Science up on a pedestal, nor does it reject the new ways in favour of ancient tradition. you make your own determination as to the truth – no matter which way you see it, it will be correct.thriller, psychological drama, romantic thriller, horror, comedy, comic tragedy, chick flick, action film – no matter what your buzz, you’ll find it in Bhool Bhulaiyaa!
Bhool Bhulaiyaa (2007) Movie Data
Bhool Bhulaiyaa (2007) is Comedy Horror Mystery Genres film which released in 2007. Bhool Bhulaiyaa (2007) supported by Ameesha Patel, Akshay Kumar, and Vidya Balan. This movie has 2h 39min duration and rating around 7.3 star from 13,871 movie experts. Not bad.
Bhool Bhulaiyaa (2007) Short Storyline
When U.S.-based Siddharth visits his Indian home town with his new wife, he insists they stay at the ancestral home, laughing off family members’ warnings of ghostly goings-on in the …
Actor Actress behind Bhool Bhulaiyaa (2007) Movie
Akshay Kumar,Vidya Balan,Ameesha Patel
Writer: Neeraj Vora
Bhool Bhulaiyaa (2007) PLOT STORY
When U.S.-based Siddharth visits his Indian home town with his new wife, he insists they stay at the ancestral home, laughing off family members’ warnings of ghostly goings-on in the mansion. But events soon make him reconsider his beliefs. As unexplained and terrifying occurrences arise, Siddharth calls on his doctor friend to help solve the mystery. What will be the outcome? Will Siddharth’s friend be able to solve this riddle?
After the passing away of her parents, Radha gets adopted by Badrinarayan Chaturvedi. Her childhood was spent with Badrinarayan’s nephew, Siddharth, and the family planned to get them married after they mature. When Siddharth grew up, he re-located to America. When the time came for him to return, Badrinarayan started to make preparations for the wedding, but ended up being surprised when Siddharth is accompanied by his wife, Avni. Due to his ancestry, Siddharth undergoes a formal coronation ceremony and moves into a huge manor. Avni starts exploring the manor and finds out that there is an entire floor that is under lock and key. She gets a key and enters the forbidden floor and unleashes a vengeful entity and a series of incidents. The family suspect Radha to be the perpetrator, prompting Siddharth to summon his seemingly bumbling Pyschiatric pal, Dr. Aditya Shrivastav, to shed some light into this seemingly occult mystery that will soon endanger everyone’s lives.
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